Music, as an immediate art, is what more clearly exemplifies the mobility and the changes of society in an environment where the artists are moved more by affinities and feeling than by theories. Thus, based on the premise that no type of physical or mental frontier can be imposed on musicians without curtailing their creativity, we will approach the issue of youth and music in the Mediterranean field referring to how the creative practice of music is socially adapted, at an everyday and political level, and how this reaches consumers.

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This is part of the Quaderns de la Mediterrània 11

Quaderns de la Mediterrània forms part of the series of projects of the European Institute of the Mediterranean (IEMed) that contribute to intercultural dialogue. This journal is the result of the will to contribute to research and study on the Mediterranean. Edited by the anthropologist Maria-Àngels Roque, the publication seeks to publicise the reality of the Mediterranean in current events such as migration, shifting values and the sociological, economic and political processes of the peoples that inhabit it and to be a forum of debate on the intercultural future of our societies. In each issue, Quaderns de la Mediterrània dedicates a central dossier to a key subject, as well as including articles on current events, a miscellany on cultural, anthropological and sociological aspects and a book review section.

QUADERNS DE LA MEDITERRANIA 11